What Is Pygmalion Productions

We are a Salt Lake City based theater company that produces theater that reflects issues, concerns and shared experiences in the lives of women. In this time of daily loss, struggle and suffering across the world, we want to remind you that the arts can fire minds, warm souls, dazzle and delight. We will want them to be there in times ahead, for us and especially for our children. As Ashley Wheater told us, "Live art, the magic of the theater, is one of the few things that can bring total strangers together in unique harmony, reminding us of our humanity."

BE HERE NOW, directed by Jason Bowcut

Playing May 2-17, 2025, Be Here Now is a Beautiful play about the bittersweet realities of life.

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PURCHASE TICKETS HERE

TICKETS AVAILABLE FOR INDIVIDUAL SHOWS AND SEASON PACKAGES. Online at www.arttixx.org or by phone 801-355-2787.

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Our 2024-2025 Season

February 22 – March 9, 2025 The Big Quiet Directed by Tamera Johnson-Howell May 5 to May 18, 2025 Be Here Now Directed by Jason Bowcutt

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Pygmalion Productions

In the Next Room

Set at the dawn of electricity, In the Next Room (or the vibrator play) searches out what sparks two people and through which conduits we feel. Performances May 3 – May 19 Thursdays- Sunday, 3:00 & 8:00pm Saturday May 19 Tickets Pygmalion Productions is thrilled to bring the regional premiere of Sarah Ruhl’s Tony Award

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Healing, Education, and Justice in Utah

During the run of “Seven,” we will feature local organizations working for justice, freedom, equality and education. Following the performance, audience members will be invited to discuss such issues with representatives from these organizations. February 22 – Benefit Performance for The Inclusion Center February 23 – Women of the World February 26 – Comunidades Unidas March 1 – Rape

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Praise for “Seven”

The reviews are starting to come in, along with inside looks at “Seven” from the actors’ and director’s points of view. Barbara Bannon of the Salt Lake Tribune describes the production as “poignant and empowering…a life-affirming dance of survival,” and writes, “‘Seven’ compellingly communicates that violence and repression, and the sorrow they engender, are universal throughout our

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