What Is Pygmalion Productions

We are a Salt Lake City based theater company that produces theater that reflects issues, concerns and shared experiences in the lives of women. In this time of daily loss, struggle and suffering across the world, we want to remind you that the arts can fire minds, warm souls, dazzle and delight. We will want them to be there in times ahead, for us and especially for our children. As Ashley Wheater told us, "Live art, the magic of the theater, is one of the few things that can bring total strangers together in unique harmony, reminding us of our humanity."

OUR MOST RECENT GRANT APPLICATION WAS DENIED UNDER DEI PROVISIONS

For more than 20 years, PYGmalion Theatre Company has been honored to receive support from the State of Utah through the Utah Department of Arts and Museums. Recently, we were notified that our grant application has been denied because “it appears to be in conflict with Utah House Bill 261 Equal Opportunity Initiatives.” In other words, our mission—to produce plays that give voice to women—has been deemed discriminatory. We remain steadfast in our commitment to our mission, and we know our patrons share these values. Please support us with a donation at the link above.

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PURCHASE TICKETS HERE

TICKETS AVAILABLE FOR INDIVIDUAL SHOWS AND SEASON PACKAGES. You can order online at www.arttixx.org or by phone 801-355-2787. All shows are at the Black Box inside Rose Wagner Performing Arts Center at 138 West Broadway (300 South) Salt Lake City, Utah 84101. There is metered street parking and several pay parking lots adjacent to the theater.

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Our 2025-2026 Season

November 7-22, 2025 Tiny Beautiful Things a solid, heart-heavy play based on the book by Cheryl Strayed and tackles death, grief, birth, sex, friendship, loss, and above all, love with humor and grace. February 6-21, 2026 Becky Nurse of Salem is a contemporary comedy by Sarah Ruhl about an ordinary but strong-willed grandmother just trying to get by in post-Obama America by dabbling in witchcraft. May 1-16 Plan C is a new comedic tragecy by Andrea Peterson about one woman's battle for autonomy in a world that seems hell-bent on deciding who she should be—from the roles she’s expected to play to the biology she never asked to negotiate with.

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Pygmalion Productions

City Weekly calls “Mother, Mother” a terrific exploration of a woman facing the impediments of her era.

Baum’s performance provides the biggest jolt of energy in Mother, Mother, spanning decades from precociously dramatic adolescent to melancholy senior. It’s a terrific exploration of a woman facing the impediments of her era, and becomes the fulcrum in a compelling look at mother-daughter relationships—specifically, the way even a woman who felt limited by the expectations of

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